Tây Phương Pagoda (Chùa Tây Phương), formally Sùng Phúc Tự, sits atop Câu Lâu hill (roughly 50m high) in Thạch Xá, Thạch Thất.
History
Local legend traces the pagoda's origins back as far as the 3rd century, though its surviving decorative style points more concretely to the Mạc dynasty (16th century) as an early phase. Its recorded history is easier to pin down from the 17th century onward: in 1632, under King Lê Thần Tông, a three-bay upper sanctuary and a 20-bay rear corridor were added; between 1657 and 1682, Tây Đô Vương Trịnh Tạc had the older structure demolished and rebuilt, including a new triple gate; and the pagoda reached its current form during the Tây Sơn period, specifically 1793-1802, under Nguyễn Quang Toản.
Architecture
The architecture alone justifies the visit - the overlapping, multi-layered eave roofs (mái chồng diêm), covered in boat-shaped tiles (ngói mũi hài) with upturned, curving corners, the carved wooden beams, and the integration of the three parallel halls (arranged in a 'Tam' shape, stepped up the hillside) are all exceptional.
The Wooden Statues and the 18 Arhats
But the pagoda's defining treasures are its wooden Buddhist statues, most carved from jackfruit wood in the 18th century with an expressiveness and individuality rarely seen in Vietnamese religious art - the exact total varies by source (roughly 60 to 76 depending on which count you read), and beyond the famous Arhats includes figures like Tuyết Sơn (the ascetic Buddha) and the Di Đà Tam Tôn (Amitabha Triad).
Among them, the set of 18 Arhat figures - each one distinct in posture, expression, and symbolic meaning - has been recognised as a National Treasure and described by Vietnamese art historians as the country's greatest achievement in traditional sculpture. The collection has earned the pagoda the nickname 'the living Buddha statue museum.'